I found a very bad take


You know, there’s another solution that would allow people to keep on taking advantage of FDIC-insured accounts and cards that have tons of consumer protections built in and don’t consume the equivalent of a whole household’s energy usage to verify a single transaction.

It’s called “regulation”. Turns out it works. Better than a Wild West seven-piddly-transactions-a-second invention used primarily for get-rich-quick currency speculation and paying for prostitutes and drugs online, anyway.


Grant me the serenity


To accept the things I cannot change


The courage


To punch Nazis in the youdamn face


And the wisdom


To shut my mouth and listen to women and people of color



We march.

Please know that.

Willie Lincoln’s spirit, watching his father grieving over his body (what he calls “the worm”):

You were a joy, he said. Please know that. Know that you were a joy. To us. Every minute, every season, you were a—you did a good job. A good job of being a pleasure to know.

Saying all this to the worm! How I wished him to say it to me And to feel his eyes on me So I thought, all right, by Jim, I will get him to see me And in I went It was no bother at all Say, it felt all right Like I somewhat belonged in

In there, held so tight, I was now partly also in Father

And could know exactly what he was

Could feel the way his long legs lay How it is to have a beard Taste coffee in the mouth and, though not thinking in words exactly, knew that the feel of him in my arms has done me good. It has. Is this wrong? Unholy? No, no, he is mine, he is ours, and therefore I must be, in that sense, a god in this; where he is concerned I may decide what is best. And I believe this has done me good. I remember him. Again. Who he was. I had forgotten somewhat already. But here: his exact proportions, his suit smelling of him still, his forelock between my fingers, the heft of him familiar from when he would fall asleep in the parlor and I would carry him up to—

It has done me good.

I believe it has.

It is secret. A bit of secret weakness, that shores me up; in shoring me up, it makes it more likely that I shall do my duty in other matters; it hastens the end of this period of weakness; it harms no one; therefore, it is not wrong, and I shall take away from here this resolve: I may return as often as I like, telling no one, accepting whatever help it may bring me, until it helps me no more.

Then Father touched his head to mine.

Dear boy, he said, I will come again. That is a promise.

—George Saunders, Lincoln in the Bardo

I'm listening to the audiobook for this, but in googling this passage (which had me in tears over lunch), I can see that I'm missing something important without the text. Any book that requires me to research CSS in order to quote it properly is worthy of reading in print.

You’ll have to come looking, I guess

I ditched active participation in Twitter several months ago. The outrage cycle was tiring. People shouting THREAD over and over again was tiring. The endless punishment of women and people of color while the Nazis were constantly given what could only absurdly be termed “free speech consideration” was exhausting.

Twitter seemed so full of promise once. It looked like it could change the world, and unfortunately, it did.

It’s like a high-speed microcosm of the Boomer generation, all promises of a new world of prosperity and ideas shared and debated, but then money and power start making demands and everything gets thrown in reverse. Such is Twitter, and such is America forever if we don't figure it out.

Though I had “left”, I kept coming to Twitter when called; I still had my blog alert my followers there when I made a post. I did that because of you, because Twitter brought a tsunami of wonderful people into my life, and I am desperate to stay in touch and remind you all how much you mean to me.

But it was also about ego. It was about “outreach”, a word that here means faves and attaboys. I hunger for that too, and it is a part of me that I would drag into an alley and kick to death if I knew how. But I can at least starve it.

I have no dreams of blogging professionally. I have a career that I like that pays me more than all but the most successful writers dream of, and that gives me options I would not otherwise have. So it wasn’t ever about money or fame. I’m just a dog whining to be petted, when you get right down to it.

I could justify that to myself before, but it's getting harder now. Not when women are being banned for criticizing men while the president* unintentionally brags about the size of his clitoris to North Korea and intentionally stokes the fires for war. I can't even distantly participate in a service that bigoted and loony. If I do, I’ve sold off the best part of me just like Jack and Biz did.

So I’m done. Facebook will never touch my new phone and I'm cutting the last remaining cord to Twitter.

I do hope you'll keep poking around here from time to time, and yes, that is still about both you and me. I'm working on it. But I hope I'm at least finally content to wonder whether anyone's listening, without seeking an answer.

The Devil gave Daughterry a sideways look.

"The trouble with you being immortal," said Daughterry, picking up the conversation from before, "isn't whether it's your fault or not. It's a matter of understanding people. How can you understand what moves people when you don't understand that the meaning of life is death?"

The Devil chewed his beans. He waved his fork in a circle that meant "Go on."

"Well," continue Daughterry, "it's not complicated. It's not even philosophy, really. Just a hard fact. When you are doomed to die, that becomes the main force behind your life. You do what you do because you want to be remembered a certain way, or because it is or isn't healthy. You do what you do because you are running out of time. You do what you do because you're twenty years old and that's what twenty-year-olds do, or because you're fifty and that's what fifty-year-olds do. It's the reason you're careful about what you say when you're forty, because you have to live with the consequences, and it's the reason old people say whatever the hell they want. It's the reason people get married and have kids; we have to replace ourselves."

Daughterry took a sip of coffee.

"It's what makes us happy or sad or mad about things. Because it's all so damn wonderful and so terrible, and it's going to be taken away. And, of course, there's the fact that it's so scary. How does it not drive us mad with panic, every moment, knowing that we are going to end? How strangely nonchalant, how divinely resilient we are! Being mortal means being bedmates with horror."

"You'd be amazed," said the Devil, "how boring time can get. You'd go crazy living to be much more than a hundred, let alone a thousand. Life is like a day. Night comes. You get tired. You sleep. You want to sleep."

"Horse balls. That's just the kind of thing an immortal would say. It changes a thing, when you're afraid of it."

—Michael Poore, Up Jumps the Devil

The best thing about saying that last year was, collectively, the worst year of our lives is being able to say that last year was the worst year of our lives. I'll be God-damned if I'm going to let this one top it.

Happy New Year, everyone.

John Scratch

“Who’s there?” asked the guard at the gate.

“A brother in Christ,” said the Devil, and the gate opened.

Between transactions, he played softly upon his fiddle, Old Ripsaw, and surveyed the village with a secret eye. The Pilgrims seemed glum, distracted, like a holiday turned inside out.


—Michael Poore, Up Jumps the Devil

WOW is that timely

Christmas 2017

It’s that time again. Here’s my ramblings for another season. Delivered on time, for a change.


Dear Everyone,

It was Josh who gave me my first Nalgene bottle. Part of a care package he gave me before leaving for upstate New York and the Night’s Watch about one point five decades ago. I covered it with stickers and drank water from it. Fifteen or so years went by. Then I went camping.

Jack's Webelos den leader had planned a cold weather camping trip up in the Boston Mountains in early December. Weather originally looked to dip slightly below freezing, which we'd done before with no trouble.

The trees had gone to the bone weeks before we made camp. The wind was a gossip. We were down in a hollow and out of the worst of the breeze, but the sun left us to heap on clothes and hug the fire. We watched the night scratch and rattle its way down toward 20°, well below what we’d camped in before.


The boy and I'd planned to string ourselves up in fancy hammock tents, but insulation is always a concern when you're dangling above ground. He asked if maybe he could go sleep in Alex's tent instead? Yes, of course, buddy. If you can't find me in the morning, go check the bench by the showers in the bathroom, okay?

Later that night I got him down and eventually debated myself away from the fire and over to my tent. I had a bunch of blankets, a sub-freezing sleeping bag, a fire-engine-red union suit and a whole lot of worry. Then some random neuron fired and I recalled Josh's Nalgene.

He'd extolled its many features and benefits in the attached note. "Once I was camping in cold weather," he wrote. "Before bed, I boiled some water, poured it in my bottle, wrapped a shirt around it and stuffed it in the bottom of my sleeping bag."


Friends, I am here to spread the good news. My toes warmed instantly. I lay there, cozy as could be, and recited a very long gratitude list as I listened to the coyotes summon the moon.

I am grateful for my mummy bag.

I am grateful for my blankets.

I am grateful for my hat.

I am grateful for the lee side of the mountain.

I am grateful for the woman I watched playing with wolves yesterday.

I am grateful for the pot of veggie chili I had for supper.

I am grateful that I am packed into this nylon tube and suspended amid nature's annual death rattle, Dutch-ovening myself because of the chili, with no cell service.

I am grateful for a plastic bottle. A plastic bottle that has warmed me three times: Once when it was given, once when I recalled the gift and its attached advice, once with my toes nestled up against it.

I woke not long after dawn to a well-frosted tent. I made coffee. I dried and packed my gear. I came home. I kissed my wife and daughter and dog. I showered and shaved my head and eased myself back into civilization clothing and civilization eating and civilization life.

Checking out like this is a sheer luxury, I know that. But it helped. It helped with my fear and worry and frustration. But it wasn’t checking out that did it. It was yet again being dragged into the world of others.


Watching the kids pointedly not swearing while rassling tent poles. Letting my boy show me every natural shelter outcropping he'd scouted out (three of them in total). Gathering with four other men and our children around a fire and sharing our stories. We communed in the death that is December, we passed candy and cocoa and opinions, and our species again seemed possible. Certainly worth fighting for.

I am grateful for this boy. For these friends. For this life. This life in which I got so damn lucky that I almost feel ashamed.

It's been too long since we’ve gathered around you. We need to get together. We need to remind each other. Maybe we'll cast our stories out into the cold, see what thaws.

My coat still smells of fire. I haven't washed it. I know I have to. But not yet.


So I get excitable when I get excited about stuff. Take what follows with a grain of salt, I guess. But:

Games like INSIDE (and LIMBO, its predecessor) feel like they’re on the cusp of a new kind of storytelling medium. They’re not quite there, but they feel like they’re preparing the way.

Games-as-storytelling have mostly been attempts to make movies with playable elements divvied up with acting sequences. Movie clones in the same way that early movies were essentially filmed plays.

INSIDE has no cutscenes, no dialogue. No third dimension. Hell, your character doesn’t have a face. But he (or she) does have an arc, and it’s a good and tragic one. All told through running, hiding, climbing, swimming, and shoving objects around.

I’ve probably played LIMBO a dozen times even though I have every obstacle memorized. I started a new game of INSIDE about an hour after I finished my first run through. It’s grim and is brimming with black laughter, and yet something lyrical flutters at the center of it, too. Even when the especially gruesome third act kicks in.

These games are masterpieces. They’re on the verge of something new.

INSIDE is seven bucks on the App Store, but it's worth every penny.